Belgian carved oak Longcase Clock, mahogany Longcase Clock, ‘Adam and Eve’ Longcase Clock, walnut and marquetry Longcase Clock

Belgian carved oak Longcase Clock, mahogany Longcase Clock, ‘Adam and Eve’ Longcase Clock, walnut and marquetry Longcase Clock

An oak and mahogany 48-hour
Longcase Clock, the ll square painted
dial indistinctly signed Rollsonf,
Stamford, the hood with scroll pediment
and fluted columns cross-hatched trunk
door and resting on a deep plinth,
with weight and
pendulum

A mahogany Longcase Clock,
with a  arched painted dial, with
rolling moon and lunar phase and
subsidiary seconds dial and date aperture
and eight-day bell striking movement,
the hood with scalloped pediment and
brass finials, the trunk with inlaid
stringing and spiral fluted quarter
columns, on moulded plinth,
with two weights, pendulum and
winder

An oak and mahogany Longcase Clock, the  arched dial painted with hunting scenes and with subsidiary seconds dial and date aperture, the hood with inlaid stringing and swan-neck

pediment, crossbanded trunk door and resting on a plain plinth

A stained oak chiming Longcase
Clock, of small size, with silvered dial,

An oak and crossbanded -hour
Longcase Clock, with an ll square
painted dial, with date aperture,
swan-neck pediment and baluster
columns, the trunk with fluted quarter
columns and resting on a deep plinth,
with pendulum and one
weight

A marquetry Longcase Clock
Trunk, circa, the door and plinth
inlaid with stained and ebonised panels
of flowers, birds and leafage,

A mahogany Longcase Clock,
the  arched brass dial signed on a
disc Mark Jacob, London, the spandrels
cast as the four seasons and with a
silvered chapter ring, seconds dial and
date aperture, the hood with scroll
fretted pediment, brass inlaid columns,
trunk with broken-arch door and
moulded plinth, with
pendulum

A mahogany Longcase Clock,
with  arched brass dial signed John
Watts, Guernsey, and with subsidiary
seconds dial and date aperture, with
foliate and scroll spandrels, the hood
with scalloped pediment and brass ball
finials and fluted columns, the trunk
with broken-arched top and resting on a
moulded plinth, with two
weights and pendulum

An oak and mahogany Longcase
Clock, with a  arched brass dial with
cast mask spandrels, now fitted with a
triple-train movement chiming on eight
bells and striking on a gong, the case
with swan-neck pediment and fluted
columns and with a crossbanded and
inlaid trunk and plinth,
with three weights and pendulum

An oak Longcase Clock, with an
ll painted arched dial signed Ralph
Wilson, Stamford, with rolling moon and
subsidiary seconds dial and date
aperture, with eight-day bell striking
movement, the trunk and plinth
crossbanded

A mahogany Longcase Clock,
with a  arched painted dial
indistinctly signed and with a rolling
moon and subsidiary seconds dial and
date aperture, the hood with swan-neck
pediment, the trunk with fluted quarter
columns, canted door and on a moulded
plinth,  l, with two weights
and pendulum

A George III oak Longcase
Clock, with ll arched dial signed Geo.
Weller, Exeter, with silvered chapter ring
and subsidiary seconds dial, date
aperture and strike/silent dials, the hood
with scroll pediment, brass ball finials
and fluted columns, on a plain trunk and
plinth, with pendulum and
two weights

An oak and mahogany Longcase
Clock, the in, square painted dial
signed Thos. Moreland, Chester, with
subsidiary seconds dial and date
aperture, with eight-day bell striking
movement, the hood with fluted side
columns and swan-neck pediment, the
wide trunk with scalloped and
crossbanded door and resting on a
moulded plinth, cut down,

An oak Longcase Clock, the  square dial signed on the seconds dial Joseph Quarman, Temple Cloud, with subsidiary calendar dial and eight-day bell striking movement, the hood

with swan-neck pediment, fluted columns and canted trunk corners, on a moulded plinth, with pendulum and and key

An oak Longcase Clock, with a W square brass dial, cast putto spandrels, matted centre and eight-day bell striking movement, the hood with plain pediment, columns, trunk and

plinth, with two weights

An oak and mahogany ‘Adam and Eve’ Longcase Clock, circa,
the painted dial with the automaton figure of Eve and Adam in the arch, subsidiary dial for seconds and date aperture, with eight-day bell striking movement, in a plain case

with shaped hood and moulded plinth, with pendulum, two weights and winder

A Belgian carved oak Longcase
Clock, with a Whin, square brass dial
with cast mask spandrels, pewter chapter
ring and eight-day bell striking
movement, the hood with heavy
moulded pediment carved heavy scroll
shoulders and with moulded trunk door
and plinth, with two
weights and pendulum

An oak Longcase Clock, the
arched brass dial signed Chas.
Newman, Lynn, with an automaton figure
of ‘Time’ in the arch, with gilt scroll
spandrels and eight-day bell striking
movement, the case with pagoda top,
brass finials, broken-arch trunk door and
resting on a cut-down plinth

A walnut and marquetry Longcase Clock, the   square brass dial signed in the chapter ring Rich. Baker, Londini Fecit, the movement bell striking with outside count-wheel and

five pillars, the hood, formerly rising, with added pediment, the trunk inlaid with floral decoration and resting on a plain plinth, re-made, distressed, with two weights and

pendulum

A mahogany Longcase Clock,
the  arched brass dial signed in the
centre Thos. Robins, London and with
subsidiary seconds dial, chime/silent and
date aperture and floral scroll spandrels,
the hood with reduced pagoda top,
fluted side columns and brass ball finials,
the trunk door with moulded arched top
and resting on moulded plinth,

A walnut and marquetry Longcase Clock, the square brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, the hood with inlaid columns and blind

sound fret, the trunk profusely inlaid with flowers and leaves and resting on a rebuilt plinth, some damage, with pendulum and two weights

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