A red marble Mantel Clock, circa 1900, A mahogany chiming Mantel Clock, ivory inlaid Bracket Clock
A red marble Mantel Clock, circa 1900, A mahogany chiming Mantel Clock, ivory inlaid Bracket Clock
A red marble Mantel Clock, circa 1900, the drum movement stamped Maples Of Co., with bell striking, the dial painted with floral garlands, in a plain
rectangular case with moulded pediment, 23cm.; 9in., with key, pendulum and plinth.
An oak-cased Mantel Clock, circa 1910, with gong striking movement, in an architectural case with painted pottery panels, minor damage, 51cm.; 20in.
An Edwardian mahogany and
Mantel Clock, with a 4in.
enamelled dial signed Mappin Of Webb
Ltd., Paris, the gong striking movement
in an arched-top case inlaid with a
butterfly, 23cm.; 9in.; and two
silver-mounted Clocks.
A mahogany chiming Mantel
Clock, circa 1900, the gong striking twin
fusee movement in an arched-top case
with 8in. silvered dial, inlaid with
stringing, 38cm.; 15in., with pendulum.
A mahogany and inlaid Mantel Clock, gong striking, in a waisted case, on moulded plinth, 33cm.
A mahogany Mantel Clock, the
6in. convex painted dial unsigned, with
associated single fusee movement, in an
arched-top case, on bracket feet, 38cm.;
15in.
A giltwood Cartel Clock, circa
1880, with 7in. convex white enamelled
dial, minor cracks, the movement stamped
J. Carr, Deptford, with lever escapement,
the case of shield shape with carved
festoons and garlands, and an urn finial,
50cm.
A mahogany chiming Mantel
Clock, the 8in. silvered dial signed Clem’
Gowland, Bishop Wearmouth, Sunderland,
finely engraved with leaf scrolls, with
strike/silent and adjustable dials in the
pointed arch, the twin fusee movement
chiming on eight bells and striking on a
gong, in a ‘Gothic’-style case with
gadroon mouldings, on fluted bun feet,
61cm.
A coromandel and ivory inlaid Bracket Clock, with a silvered dial signed E. T. Moore, London, the single fusee movement with four substantial pillars and
shaped backplate with leaf engraved border, the case with inlaid ivory stringing, diapers and medallions, on brass bun feet, 39cm.; 15in., with key and
pendulum.
An imposing carved Shop Clock, circa 1860, with a 17in. white dial, with fusee movement and quarter striking, in a massive case with carved foliate scroll
mounts and base, 124cm.; 49in., with pendulum and winder.
A massive oak Art Nouveau
Mantel Clock, with a 14in. hammered
copper dial stamped Greenwich Time, the
substantial movement with dead-beat
escapement, and ‘A’-shaped plates, the
rectangular case with copper side and
base panels hammered with stylised
motifs, resting on a wide moulded base,
suspension spring broken, 83cm.; 32in., with
heavy rod pendulum and key.
A walnut Mantel Clock, circa 1850, with a Tin. painted dial and a twin fusee bell striking movement, in a rectangular case with carved vine mantling, on
bracket feet, 43cm.; 18in., with key and pendulum.
An oak-cased Mantel Clock, circa 1850, the 6in. brass dial signed Edwin Pearce, Launceston, with a twin fusee movement and bell striking, the case with a
pointed arch and carved oak-leaf border, with barley-twist side columns, 50cm.; 20in., with key and pendulum.
A mahogany and brass inlaid
Mantel Clock, circa 1840, with a 6′/2in.
convex cream enamel dial signed Dent,
34 Cockspur Street, London, pierced hands,
the substantial twin fusee movement
gong striking, with the backplate
stamped and numbered Dent, 32834, in
an arched-top case with scroll inlay
decoration and pierced brass side frets,
42cm.; with case key, key and
pendulum.
A mahogany-cased Bracket
Clock, the movement with a Tin. square
arched and silvered dial signed Markwick,
London, with cast brass spandrels and
strike/silent dial in the arch, with date
aperture, verge escapement and foliate
scroll engraved backplate, repeat
mechanism lacking, now in an associated
arched-top mahogany case.
A large mahogany Mantel Clock,
circa 1880, with a 12in. silvered dial
signed Edward Parker, Bishopsgate Within,
the twin fusee movement with heavy
plates and pillars, in an arched-top case
with carved canted corners, 61cm.; 24in.,
with key and pendulum.
An ebonised repeating Bracket
Clock, circa 1770 the 8in. brass arched
dial with cast foliate spandrels, silvered
chapter ring and strike/silent dial in the
arch, matted centre with date aperture
and signed Thos. Hunter J nr., London, the
movement now with anchor escapement,
dummy pendulum and substantial ringed
pillars, the backplate engraved with
Chinoiserie decoration, the case with
replaced brass side frets, pineapple
finials, cast caryatid side columns, on
brass bracket feet, with two keys, case
key and pendulum.
An ebonised Bracket Clock of
small size, circa 1775, the 6in. brass
arched dial signed Wm. Sterck, London,
with cast trophy spandrels, matted
centre, dummy pendulum and date
apertures, with regulation and
strike/silent dials in the arch, the twin
fusee movement with verge escapement,
the backplate scroll engraved and signed,
the case with caddy top with brass
handles, the door with scroll frets, the
sides with circular and rectangular glazed
panels, on bracket feet, repeat mechanism
removed, 40cm.; 16in., with keys and
winder.
An attractive ebonised
quarter-repeating Bracket Clock of
small size, circa 1750, with a 6in. brass
arched dial, scroll engraved, with cast
mask spandrels, the silvered chapter ring
with applied shield signed James Snelling,
London, strike/silent and regulation dials
in the arch, the movement with replaced
verge escapement striking on one bell
and chiming on six, the backplate with
engraved foliate scroll and mask
decoration, in a plain case, with brass
bracket feet and bail handle, 43cm.
Tags: backplate, bracket clock, bun, bun feet, Clocks, coromandel, decoration, Edwardian, eight bells, festoons, finial, foliate, gothic style, inlaid, IVORY, Launceston, lever escapement, london, mantel clock, MARBLE, minor cracks, mouldings, movement, pediment, pendulum, plinth, pointed arch, rectangular case, shield shape, style case, top case, wearmouth