BRASS AND CHAMPLEVE CLOCK GARNITURE, AESTHETIC MOVEMENT EBONIZED MAHOGANY AND PORCELAIN MANTEL CLOCK, GILT SPELTER AND PORCELAIN CLOCK GARNITURE
BRASS AND CHAMPLEVE CLOCK GARNITURE, AESTHETIC MOVEMENT EBONIZED MAHOGANY AND PORCELAIN MANTEL CLOCK, GILT SPELTER AND PORCELAIN CLOCK GARNITURE
A BRASS AND CHAMPLEVE CLOCK GARNITURE, the gilt chapter ring with Arabic numerals, the movement with half-hour striking on а gong, contained in an architectural case with
segmental pediment surmounted by an urn, bearing а presentation plaque dated 1899, 14in (36cm); flanked by a pair of Urns, 9in (23cm), all enameled with polychrome bands
throughout, late 19th century.
A GILT SPELTER AND PORCELAIN
CLOCK GARNITURE, the clock movement lacking, the clock case surmounted by a porcelain urn above a rectangular porcelain mounted section and gryphon supports; flanked by a pair
of Vases, each of ovoid form applied with dragon handles above a base inset with а porcelain plaque on conforming supports, the clock 17in (43cm) by 142in (37cm).
A BRASS SKELTON “ONE AT THE
HOUR” TIMEPIECE, the pierced chapter ring with Roman numerals and steel hands, the single fuse movement with anchor escapement, striking on an overhead bell, on a marble and
ebonized plinths, 16in (42cm) overall, late 19th century.
AN AESTHETIC MOVEMENT EBONIZED MAHOGANY AND PORCELAIN MANTEL CLOCK, the ceramic jail with Arabic numerals on a beau celesta ground inscribed Maple & Со., London and Paris, the
Marti movement with half-hour striking on а gong, contained in a rectangular case incised with foliage, 202in (52cm) by 13in (33cm).
A ‘REGENCE’ BOULLE BRACKET CLOCK, the dial with enamel Roman numerals, the movement with outside count wheel striking on a bell, the case surmounted by a gilt bronze finial and
veneered with cut brass and red tortoiseshell on scroll feet, 122in (32cm), late 19th century.
A BRASS SKELETON TIMEPIECE, the silvered chapter ring with Roman numerals and subsidiary seconds above, anchor escapement above а chain fuse on an ebonized rectangular plinth,
15V2in (40cm) overall, third quarter 19th century, with а glass dome.
A GILT SPELTER MANTEL CLOCK, the
white enamel dial with Roman numerals, the movement with half-hour striking on the bell and outside count wheel, the case surmounted by an easel with а presentation plaque,
flanked by а figure of an artist in mediaeval dress, the plinth with outset feet, 12in (30cm), by 15in (38cm), late 19th century, with an ebonized plinth and glass dome.
A MAHOGANY QUARTER CHIMING BRACKET CLOCK, the dial with silvered chapter ring and raised gilt bronze Arabic numerals inscribed Russell’s Ltd., 18 Church Street, Liverpool, with
chime/silent, slow/ fast and Whittington/Westminster subsidiary dials, the three train movement striking on a series of eight bells and three gongs contained in a finely carved
case with a cupola flanked by finials, on outset feet, 19in (49cm) late 19thlearly 20th century.
A LATE GEORGIAN MAHOGANY
BRACKET TIMEPIECE, the white enameled dial with Roman numerals inscribed Bracher, Reading, the movement with square plates and anchor escapement, contained in a molded segmental
case with pierced brass front and side grilles, on bail feet, 18in (46cm) by 12in (31cm), second quarter 19th century.
V R. Bracher is recorded as working in Reading in 1864 and together with Sydenham in 1877.
AN OYSTER VENEERED BRACKET
CLOCK, the 8in square brass dial with a silvered chapter ring enclosing a matt worked centre with а calendar aperture, pendulum bob aperture, and two train apertures, the
movement with five ring turned baluster pillars, anchor escapement, the foliate chased back plate with a cartouche inscribed IOS Ledgard, pendulum lacking, the ogee top case
flanked by finials, glazed back and sides, on gilt metal button feet, 17V2in (44cm) high, early 18th century.
Joseph Ledgard is recorded as working in Newcastle-on-Tyne between 1701-1732.
А GILT BRONZE AND PORCELAIN CLOCK GARNITURE, the porcelain dial with Roman numerals, the movement with half-hour striking on a bell contained in a truncated case surmounted by a
musical trophy and flanked by putty, 13in (33cm) by 13in (33cm); flanked by а pair of Candelabra, each with three candle holders above a putty on scroll feet, 14in (36cm); with
three gilt wood Stands, third quarter 19th century.
A GILT BRONZE AND PORCELAIN MANTEL CLOCK, the dial with Roman numerals signed Clark & Drielsma, in a drum case flanked by lion head and ring handles and surmounted by an urn,
the base inset with a plaque painted with two young lovers, 12in (31cm), with a Pendulum, stand and glass dome, late 19th century.
A GILT SPELTER AND PORCELAIN CLOCK GARNITURE, the dial with Arabic numerals, the case inset with a panel painted with two young lovers in a garden setting and flanked by a pair
of columns, the whole surmounted by an urn, 14in (36cm), flanked by a pair of Gilt Spelter and Porcelain Urns each with a bulbous body painted with a loving couple, (30cm), with
a pendulum, three glass domes, and six bases, late 19th century.
A GOOD GILT BRONZE AND “SEVRES”
CLOCK GARNITURE, the jeweled porcelain dial with Roman numerals, the movement with half hour striking on a bell, inscribed Leroy, Paris N9002, contained in а drum shaped case
surmounted by an urn applied with gryphon handles on an architectural column with outset porcelain columns and flanked by urns on а breakfront plinth applied with porcelain
mounts, on toupee feet and a gilt wood stand, 24in (61cm) by 18in (46cm); Flanked by a Con-forming Pair of Candelabra, each with four candle arms on a porcelain vase stem,
plinth and toupee feet, 202in (52cm) high, third quarter 19th century.
A GILT BRONZE AND WHITE MARBLE
MANTEL CLOCK, the white enamel dial with Roman and Arabic numerals inscribed Marc A Paris, the movement with outside count wheel and half-hour striking on а bell, the case
surmounted by two basic putty and a goat in the manner of Clodion, on a shaped base and toupee feet, 16in (41cm) by 18in (46cm), mid 19th century.
A GOOD GILT BRONZE FOUR GLASS MANTEL CLOCK, the dial with Roman numerals and bronco escapement, the movement striking on a bell with a mercuric pendulum, the case surmounted by
а trophy on foliate feet, 15in (38cm), late 19th century.
A GOOD GILT BRONZE AND ‘SEVRES’ MANTEL CLOCK, the enamel dial with Arabic and Roman numerals signed Lenoir a Paris, the movement with a repeat signature, outside count wheel and
half-hour striking on a bell, the movement contained in a cylindrical case surmounting a rectangular plinth applied with a porcelain panel painted with ladies in a woodland
setting, the side panels painted with flowers, all on a bleu Celeste ground, the plinth cast with ferocious dragons and claws, 19in (48cm) by.l2in (31cm), mid 19th century.
а gilt bronze and veered antic marble mantel clock, the dial with an enamel chapter ring enclosing an engine turned centre, the Marti movement with half-hour striking on a gong,
contained in a rectangular case applied with pilasters and composite capitals, 12in (31cm) by 92in (24cm), third quarter 19th century.
A GILT BRONZE MANTEL CLOCK, with a silvered chapter ring, the movement with half-hour striking on а gong, contained in an architectural case surmounted by a cupid, the dial
flanked by Corinthian columns, the plinth inscribed R. B. Y. C. presented by the Duke of Buc-cleuch, Commodore, won by “Red Rose”, Mr. T. Ashburner, 1894, 15in (39cm), late 19th
century.
А GOOD GILT BRONZE AND ROSE POMPADOUR COMPOSED CLOCK GARNITURE, the porcelain dial with Roman numerals, the Jape movement with half hour striking on а bell contained in a
segmental case surmounted by a porcelain vase painted with a portrait of Louis XVI above conforming front and side panels painted with portraits of Ladies of the court, a fete
gallant and trophies, 21in (54cm); Flanked by a Pair of Pastille Burners, each cast with vines on a porcelain column and pierced base, (22cm), late 19th century; and three gilt
wood Stands.
A GOOD LOUIS XVI STYLE GILT BRONZE
MANTEL CLOCK, the enamel dial with Roman numerals and outer Arabic minutes, the Jape movement with half-hour striking on а bell, outside count wheel, stamped Woppenheim Paris
No. 673, the case surmounted by a vase with flambeau finial, the sides with ram masks and flanked by draped vases, on an outset plinth and toupee feet, 13in (33cm) by 9V2in
(24cm), third quarter 19th century.
Tags: 19th century, AESTHETIC, bracket, BRASS, brass dial, Calendar, cartouche, CENTURY, CHAMPLEVE, clock case, DRESS, EBONIZED, escapement, GILT, GOOD, MANTEL, mantel clock, MINUTE, movement, pendulum, PORCELAIN, rectangular case, repeat sign, ring, SECONDS, STEEL, style, TIMEPIECE, tortoiseshell