A BRASS MANTEL CLOCK - A LATE VICTORIAN OAK AND INLAID MANTEL CLOCK - STAINED BEECH VIENNA STYLE WALL CLOCK - VICTORIAN MAHOGANY BOX

A BRASS MANTEL CLOCK - A LATE VICTORIAN OAK AND INLAID MANTEL CLOCK - STAINED BEECH VIENNA STYLE WALL CLOCK - VICTORIAN MAHOGANY BOX

A WALNUT AND STAINED BEECH VIENNA STYLE WALL CLOCK LATE 19TH CENTURY
The arched shaped pediment surmounted by a displayed eagle, flanked by turned finials above an arched glazed door flanked by turned demi-columns, enclosing a brass and enamelled dial with subsidiary seconds dial, inscribed with a crown and anchor and the initials GB, the movement striking on a single rod, inscribed Gustav Becker, Freilmg.

A BRASS MANTEL CLOCK
The shaped pediment with three pointed finials, above a circular enamelled dial, on turned columns and a circular base, enclosed by a glass dome, the movement suspending a large circular weight, the backplate inscribed Gustav Becker, Freiburg.

A LATE VICTORIAN OAK AND INLAID MANTEL CLOCK
The arched waisted case inlaid with Art Nouveau motifs, with glazed circular enamelled dial, oil a moulded plinth with brass bun feet.

AN EARLY VICTORIAN MAHOGANY LONGCASE CLOCK
The swan-neck pediment (damaged) above an arched glazed door, flanked by turned columns, enclosing an enamelled dial with subsidiary seconds and date dials, the arch painted with a woman in a red dress, the spandrels painted with flower blooms, inscribed Gunter & Huddersfield, the case fitted with an ogee arched trunk door flanked by spirally reeded demi-column angles, the panelled base on bracket feet.

A REGENCY STYLE MAHOGANY BRACKET CLOCK
The pagoda-style pediment with brass ball finial above an arched moulded top with similar finials to the angles, the glazed circular enamelled dial flanked by fluted demi-columns, the frieze inlaid with brass lines, oil a plinth base with brass bun feet, the movement striking oil a coiled gong.

A LATE VICTORIAN OAK BANJO WALL BAROMETER
The scroll-carved pediment above a glazed thermometer scale and a circular glazed ceramic dial.

A SPECTER FIGURE OF A CAVALIER
Depicted wearing a hat with a feather plume, standing with left hand oil his hip and his right arm outstretched, resting on a sword (now missing), oil a naturalistic circular base and moulded ebonised plinth.

A SET OF THREE GEORGIAN POLISHED STEEL FIREIRONS
Comprising: a shovel, a poker and a pair of tongs; a pair of similar andirons, each with baluster-shaped finial on square tapering pedestal, engraved with stylised motifs; and a white-metal firescreen, with rectangular mesh-filled banner, cast all-over with stylised quartrefoils centred by flowerheads, on scrolled arched bar feet.

A SET OF FOUR GILT-METAL TWO-BRANCH NEO-CLASSICAL WALL BRACKETS
Each backplate cast with all urn suspending trailing harebell chains and surmounted by a stylised anthemion finial, supporting two scrolling acanthus-cast branches, converted to electricity.

A PAIR OF GEORGIAN BRASS CANDLESTICKS
Each with knopped and baluster-shaped stem, on spreading circular base; another pair, similar.

A WALNUT AND STAINED BEECH VIENNA STYLE WALL CLOCK
The arched moulded pediment surmounted by a carved eagle, flanked by turned finials, the arched glazed door flanked by turned demi-columns, enclosing a circular brass and enamelled dial, the pendulum inscribed.

A REGENCY PENWORK SARCOPHAGUS-SHAPED BOX
The hinged rectangular top decorated with a central scene, depicting Oriental figures in a garden, enclosing a fitted interior, the sides decorated with scrolling foliage, on gilt-metal paw feet.

A VICTORIAN BIRD’S EYE MAPLE AND ROSEWOOD PORTABLE WRITING BOX
The hinged rectangular top and sloping fall-flap inlaid with bands of scrolling foliage and a central rectangular panel, inlaid with a mother-of-pearl cartouche, enclosing a fitted interior with a velvet-lined writing slope, damages.

A STAINED AND CARVED BEECH FIGURE OF A SHEPHERD
The figure wearing a hat, standing Frith a lamb under his right arm, oil a circular turned base; and a similar figure of a shepherdess, damages.

A BRASS INKWELL 19TH CENTURY
Cast as a seated boy, with a book in hisĀ  left hand resting on knee, a hat by his side, the hinged lid opening to reveal a well (glass liner lacking), on a naturalistic moulded base; and a brass figure of a winged lion, on a rectangular base.

A LATE VICTORIAN MAHOGANY BOX
The rectangular lid inlaid with boxwood and ebony chequer lines, on a moulded plinth base; a pair of cut-glass decanters, each with a circular stopper above an elongated neck and ovoid body; and an electro-plated two-handled urn-shaped wine cooler.

A PAIR OF WHITE-PAINTED CAST-IRON GARDEN URNS
Each with spreading egg-and-dart rim, the lower section with gadrooning, on a square base.

A VICTORIAN OAK WALL BRACKET
The semi-circular top above a backplate carved with a Partridge against a leafy background.

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